Indie Author Pricing: POD Books

The last time I wrote about book pricing, I focused on my ebook strategy. Now I’d like to supplement that with the addition of paperbacks.

A little background for you.

When I first decided to self-publish (Almost) Average Anthology, it was an experiment of sorts. So many people were publishing their own work and it seemed easy. Never having tried it before, I figured I’d give it a shot. I had four novels written but didn’t think I could edit them well enough to release them. However, I did have a nice back catalog of flash fiction stories I felt I could edit myself and release them as a book. I used this opportunity to find out what I could do on my own with little to no cost.

The process went smooth enough. But then days after the release of my ebook, a friend of mine said he’d buy a copy but not an ebook since he doesn’t read books digitally. I’d had previous experience with CreateSpace from a NaNoWriMo “win” where I won up to five free paperback copies that I figured, what the heck, why not. There’s no set-up charge. The only fee is the cost of the book and shipping. I spent an entire Saturday reformatting my ebook for a paperback and by the following Thursday I held the very first proof copy of my book.

I found some errors and fixed them, ordered another proof copy, and then approved my paperback print on demand (or POD) book. I had a physical copy of my book!

File_000Now, there’s nothing greater than seeing your work in a physical form. To hold a book written by yourself with a custom cover is an awesome feeling. It also opened a ton of doors for me.

Because I had an actual book, people wanted to buy it from me so I could sign it. Family and friends showed a ton of support for me. I was also able to go to book signings and events. The first book event I attended was the St. Louis Indie Book Fair and later Con-Tamination, a sci-fi/horror/pop culture convention. I met other authors who’ve been super helpful to me and opened doors allowing me to attend other events with larger audiences.

All because I made a physical copy of my book.

Now to turn back to the pricing aspect of this, let me explain my process and conclusion.

FullSizeRenderBy creating a higher priced POD book, it makes my ebook look much more attractive. Of course I’d love to sell a ton of paperback copies, but realistically, ebooks are by far the best selling versions. When a potential reader sees my book on Amazon, they see a box telling them how much they save by ordering the ebook. I’m good with that. Having a paperback copy allows the reader to feel like they’re saving money, which they are.

I also price my POD books slightly higher online than when I’m at a con or event. The reason is simple. I want potential readers to get a bargain from me in person and I’ll sign it for them. I want to give them some enticement for ordering from me right then and there.

As of this post, the paperback price online for my two collections of short stories are $10 each and my novel is $12. At events, I drop those to $8 and $10 respectively (with the added bonus of a free t-shirt if they buy all three!)

File_000 (1)Compared to similar books, my prices are fair. I’d pay that for something like my books and as I mentioned in my last post, if I’m not willing to pay a certain price for something, I would never expect buyers to pay it. My costs have risen as I’ve added professional editing and custom art for my covers, but I’m already paying that for the ebooks, so why not add the paperback to the mix?

Paperback copies of your books are an excellent add-on to your overall strategy. They give readers buying choices and allows you to attend events, book signings, cons, and other opportunities where you can sell physical copies of your books to the reading public. With CreateSpace, you can also offer readers who buy your physical book online the opportunity to get the matching ebook for free, and who doesn’t like free?

I suggest you price them fairly with the end result of enticing readers to pick up the ebook. Of course, you may not want that in which case, disregard everything I’ve said!

What’s your strategy? Do you even offer POD books?¬†Good luck and let me know your thoughts in the comments below.

 

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Indie Author Pricing: Ebooks

When you purchase books, what are you honestly willing to pay for an ebook?

Recently I had a lively discussion with fellow authors who participate in the Heggerwood Showcase (If you don’t know what that is, check it out here). The topic was ebook pricing. From that discussion comes the topic of this post.

Let me start off by saying I am not expert. I’m not a best-seller. Heck, I’m barely a seller at all! However I do have two qualifications that inform my thoughts on this topic.

First, I work in sales. I have for the last sixteen years. I’ve seen what works and what doesn’t. I know what a customer is willing to pay, what they’re willing to hand over their hard earned cash for. I understand they need value for their money. I get it.

Secondly, I’m a reader and consumer myself. I know what I’d pay for something. I have my limits. More on this in a moment.

As an author, especially an indie author who has total control over costs and pricing, how do you determine what to charge for your books? In particular, ebooks, though paperback POD books play a role in this as well.

Let me start with ebooks.

When I released my first book (Almost) Average Anthology, I decided the initial selling price was going to be $1.99. Did I feel it was worth more? Of course! We all think our work is worth more and it should be. We spent a lot of time and effort creating these worlds for others to enjoy. However, I had several things to consider.

What were other books like mine selling for? Would anyone plunk down more than $1.99 for a collection of odd stories from an author they don’t know? Would I? Obviously my answer was no, I wouldn’t pay more than that. I also chose the $1.99 price point so I had at least a little wiggle room to go down in price when the time was right or if I was going to run a promo. I could also run a discounted pre-sale enticing would be buyers to grab it for .99 while they could before the price went up. I did the same with my second collection of dark fiction short stories Moments of Darkness.

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Though neither book tops any charts or blazed new trails, I felt justified in my pricing strategy. I wasn’t scamming the buyer. I offered the books at what I felt were reasonable prices. Prices I would pay and felt comfortable with.

I’ve done the same with my novel The Selection. I offered it at a pre-sale price of .99 before going to it’s standard, and higher, price of $2.99. Because it was a longer piece, I felt comfortable with the higher price and it’s something I would pay for an ebook, especially by an unknown author.

I can hear you asking now “What about your costs? Don’t you want those covered so you can make a profit?” Ahh…good question. And this is where I differed from some of my fellow authors.

Let’s go back to (Almost) Average. My costs on that were almost nothing. I didn’t hire an editor. I created the cover myself, and I formatted the ebook myself. The programs I used to create the book were already on my computer. I didn’t buy anything special. So for that book, my expenses were pretty low.

For Moments of Darkness, I did hire an artist for the cover, but that was my only cost. I edited and formatted that one myself as well. In terms of cost/price, I should have charged more to recoup my costs. But I didn’t.

money-40603_960_720When I decided to release The Selection, I hired an artist for the cover and I hired an editor. There was no way I’d release a longer piece like that without having it edited. You may hate the story or think it’s bogus, but you won’t be able to crush me on the editing. So with this release, I had the most cost associated with releasing a book which seems to indicate I should charge a lot more.

But that’s not my line of thought.

Sure I want to recover my expenses, however there’s a threshold consumers are not willing to part with their money. I know, I’m one of them. I’d love to make tons money on my books, I mean that’s what selling is all about, right?

The approach I’m taking is different. I don’t want immediate repayment of my costs (well, yeah I do) but what I really want is a growing base of readers looking for my work as I continue my career. I want long term growth, long term success.

If I priced my novel at $4.99 and sold enough I’d get my costs covered, but how long will that take? How many people are willing to drop that much on an unproven commodity? I wouldn’t. I can’t expect others to just because I have expenses.

Book buyers are a weird lot (I say that with the utmost respect for my readers. You guys rock!) I’m one of you. I buy books too. There’s a line I won’t cross to buy a book. I have a difficult time spending more than $3.99 for an ebook by a big name author like Stephen King or Brandon Sanderson. Why would I spend that kind of money on an author I don’t know? I’m big on supporting indie authors, we’re in this together. But when I feel gouged with a $3.99 price point for something that’s maybe 100 pages long–nope, not gonna buy it. I understand you’ve got expenses but in sales, sometimes you have to go in the negative before the positive arrives. You have to be willing to spend money to make money.

For now, my thought on pricing strategy is this: Get as many readers interested in me as a writer for the long haul. I won’t price a book higher trying to recover all my costs as fast as possible. It’s a numbers game. If I can sell ten .99 ebooks to your one $3.99 ebook, my readership will dwarf yours. That’s what I’m going for–more readers. Do I feel it’s worth more than .99? Sure do! But to the reader willing to part with their money for a little known author, I have to make it enticing enough to earn their trust and deliver on that with the writing. If I’ve done my job well, they will stick with me.

In my next installment, I’m going to cover POD paperback pricing. Come on back for that.


Let me know your thoughts. Am I off base? Is my strategy wrong? What would you do? How do you price your books? I’m open for an honest and constructive discussion so we can all learn from each other.